YEKE RISE
Reverse reverb, timed to the bar — drag it into the session.
Stop bouncing. Stop reversing the clip by hand. Stop stacking a reverb just to print a riser. YEKE RISE renders the reverse for you, fits it to one, two, four or eight bars of the session tempo, and hands you a WAV you can drag onto the timeline. The hit lands on the downbeat. Capture what is playing, or load a file. Four characters — phone, chorus, drive, tremolo — sit one click away, and each one opens so you can set the mix and the second control. No cloud. No subscription. Just the rise.
WINDOWS 10/11 · VST3 + STANDALONE
WHAT IT ACTUALLY DOES
Every detail,
engineered.
One Click, Timed to the Bar
Turn the dial to 1, 2, 4 or 8 bars. The length follows the host tempo, and the tail is fitted so the transient lands on the downbeat. Four bars is the starting point.
Drag the Riser into the Arrangement
The bottom bar is the file. Drag it onto the playlist, or press EXPORT and drop the WAV wherever your host prefers. Same render, two ways out.
Capture, Load, or Start from the Demo
Play a phrase into the plugin and it keeps the last twelve seconds. LOAD takes a file and holds it until you reset. With nothing loaded, a demo source is already rendered so you can hear the effect immediately.
Sibilance, Only When It's There
VOX listens for a high-frequency burst and ducks it. It is not a permanent top cut. INST leaves the source whole when the phrase is not a vocal.
Four Characters You Can Edit
PHONE, CHORUS, DRIVE and TREMOLO are one click. Click the name and a panel opens: mix, plus tone, rate, drive or a note value. Tremolo locks to the project tempo — 1/2 down to 1/32.
RAW, When You Want the Reverb Itself
Decay, damping, predelay, output and how much of the phrase is kept. The one-click path stays on the front. The reverb is still yours when you want it.
UNDER THE HOOD
The engineering.
- ►The reverse is rendered offline. The audio thread only captures and, when LISTEN is on, plays the finished buffer.
- ►The tail is fitted to 1, 2, 4 or 8 bars from the host tempo, keeping the end of the reverb so the hit lands on the downbeat.
- ►Eight comb filters and four all-passes, reversed twice: once into the reverb, once back out.
- ►The vocal de-esser ducks highs only when a burst crosses the detector. Quiet passages stay untouched.
- ►Tremolo timing is a note division locked to BPM, not a free-running LFO.
- ►WebView2 interface. Presets, including your own, travel with the plugin.
WHO IT'S FOR
Built for makers.
- ▸Producers — a riser in the time it takes to turn one dial, without bouncing the track.
- ▸Vocalists — a reverse tail that gets out of the way of the sibilance instead of amplifying it.
- ▸Transition designers — 1, 2, 4 or 8 bars, already sitting on the grid.
- ▸Beatmakers — phone, chorus, drive and tremolo as starting points, each one editable.
SPECIFICATIONS
The technical sheet.
GET IT NOW
Yours,
for free.
BUILT BY YEKE PLUG